Der er søgt på: Best Sound under Oscars.
|
Vinderen af de nominerede er markeret med:  2004 - Best Sound | |||||
 | The Lord Of the Rings: The Return Of the King | Re-Recording Mixers Christopher Boyes , Michael Hedges , Michael Semanick | |||
| Production Sound Mixer Hammond Peek | |||||
| Master and Commander: The Far Side Of the World | Re-Recording Mixers Doug M. Hemphill , Paul Massey | ||||
| Production Sound Mixer Arthur Rochester | |||||
| Seabiscuit | Re-Recording Mixers Anna Behlmer , Andy Nelson | ||||
| Production Sound Mixer Tod A. Maitland | |||||
| Pirates Of the Caribbean: The Curse Of the Black Pearl | Re-Recording Mixers Christopher Boyes , David E. Campbell , David Parker | ||||
| Production Sound Mixer Lee Orloff | |||||
| The Last Samurai | Re-Recording Mixers Anna Behlmer , Andy Nelson | ||||
| Production Sound Mixer Jeff Wexler | |||||
2003 - Best Sound | |||||
| Chicago | Re-Recording Mixers Michael Minkler , Dominick Tavella | |||
| Production Sound Mixer David Lee | |||||
| Gangs Of New York | Re-Recording Mixers Tom Fleischman , Eugene Gearty | ||||
| Production Sound Mixer Ivan Sharrock | |||||
| The Lord Of the Rings: The Two Towers | Re-Recording Mixers Christopher Boyes , Michael Hedges , Michael Semanick | ||||
| Production Sound Mixer Hammond Peek | |||||
| Road To Perdition | Re-Recording Mixers Bob Beemer , Scott Millan | ||||
| Production Sound Mixer John Patrick Pritchett | |||||
| Spider-Man | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Ed Novick | |||||
2002 - Best Sound | |||||
| The Lord Of the Rings: The Fellowship Of the Ring | Re-Recording Mixers Christopher Boyes , Gethin Creagh , Michael Semanick | ||||
| Production Sound Mixer Hammond Peek | |||||
| Moulin Rouge! | Re-Recording Mixers Anna Behlmer , Andy Nelson , Roger Savage | ||||
| Production Sound Mixer Guntis Sics | |||||
| Amélie | Re-Recording Mixers Vincent Arnardi , Guillaume Leriche | ||||
| Production Sound Mixer Jean Umansky | |||||
| Black Hawk Down | Re-Recording Mixers Michael Minkler , Myron Nettinga | |||
| Production Sound Mixer Chris Munro | |||||
| Pearl Harbor | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Peter J. Devlin | |||||
2001 - Best Sound | |||||
| Cast Away | Re-Recording Mixers Tom Johnson , Dennis Sands , Randy Thom | ||||
| Production Sound Mixer William B. Kaplan | |||||
| The Perfect Storm | Re-Recording Mixers David E. Campbell , John T. Reitz , Gregg C. Rudloff | ||||
| Production Sound Mixer Keith A. Wester | |||||
| Gladiator | Re-Recording Mixers Bob Beemer , Scott Millan | |||
| Production Sound Mixer Ken Weston | |||||
| The Patriot | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Lee Orloff | |||||
| U-571 | Re-Recording Mixers Rick Kline , Gregg Landaker , Steve Maslow | ||||
| Production Sound Mixer Ivan Sharrock | |||||
2000 - Best Sound | |||||
| The Green Mile | Re-Recording Mixers Michael Herbick , Robert J. Litt , Elliot Tyson | ||||
| Production Sound Mixer Willie D. Burton | |||||
| The Insider | Re-Recording Mixers Doug M. Hemphill , Andy Nelson | ||||
| Production Sound Mixer Lee Orloff | |||||
| The Matrix | Re-Recording Mixers David E. Campbell , John T. Reitz , Gregg C. Rudloff | |||
| Production Sound Mixer David Lee | |||||
| The Mummy | Re-Recording Mixers Chris Carpenter , Rick Kline , Leslie Shatz | ||||
| Production Sound Mixer Chris Munro | |||||
| Star Wars: Episode I - The Phantom Menace | Re-Recording Mixers Tom Johnson , Shawn Murphy , Gary Rydstrom | ||||
| Production Sound Mixer John Midgley | |||||
1999 - Best Sound | |||||
| Saving Private Ryan | Re-Recording Mixers Andy Nelson , Gary Rydstrom , Gary Summers | |||
| Production Sound Mixer Ron Judkins | |||||
| Shakespeare In Love | Re-Recording Mixers Dominic Lester , Robin O'Donoghue | ||||
| Production Sound Mixer Peter Glossop | |||||
| The Thin Red Line | Re-Recording Mixers Anna Behlmer , Andy Nelson | ||||
| Production Sound Mixer Paul Brincat | |||||
| Armageddon | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Keith A. Wester | |||||
| The Mask Of Zorro | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Pud Cusack | |||||
1998 - Best Sound | |||||
| L. A. Confidential | Re-Recording Mixers Anna Behlmer , Andy Nelson | ||||
| Production Sound Mixer Kirk Francis | |||||
| Titanic | Re-Recording Mixers Tom Johnson , Gary Rydstrom , Gary Summers | |||
| Production Sound Mixer Mark Ulano | |||||
| Con Air | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Arthur Rochester | |||||
| Air Force One | Re-Recording Mixers Doug M. Hemphill , Rick Kline , Paul Massey | ||||
| Production Sound Mixer Keith A. Wester | |||||
| Contact | Re-Recording Mixers Tom Johnson , Dennis Sands , Randy Thom | ||||
| Production Sound Mixer William B. Kaplan | |||||
1997 - Best Sound | |||||
| The English Patient | Re-Recording Mixers Mark Berger , Walter Murch , David Parker | |||
| Production Sound Mixer Christopher Newman | |||||
| Evita | Re-Recording Mixers Anna Behlmer , Andy Nelson | ||||
| Production Sound Mixer Ken Weston | |||||
| Independence Day | Re-Recording Mixers Bob Beemer , Bill W. Benton , Chris Carpenter | ||||
| Production Sound Mixer Jeff Wexler | |||||
| The Rock | Re-Recording Mixers Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Keith A. Wester | |||||
| Twister | Re-Recording Mixers Gregg Landaker , Steve Maslow , Kevin O'Connell | ||||
| Production Sound Mixer Geoffrey Patterson | |||||
1996 - Best Sound | |||||
| Apollo 13 | Re-Recording Mixers Rick Dior , Scott Millan , Steve Pederson | |||
| Production Sound Mixer David R. B. MacMillan | |||||
| Braveheart | Re-Recording Mixers Anna Behlmer , Scott Millan , Andy Nelson | ||||
| Production Sound Mixer Brian Simmons | |||||
| Batman Forever | Re-Recording Mixers Michael Herbick , Donald O. Mitchell , Frank A. Montaño | ||||
| Production Sound Mixer Petur Hliddal | |||||
| Crimson Tide | Re-Recording Mixers Rick Kline , Kevin O'Connell , Gregory H. Watkins | ||||
| Production Sound Mixer William B. Kaplan | |||||
| Waterworld | Re-Recording Mixers Gregg Landaker , Steve Maslow | ||||
| Production Sound Mixer Keith A. Wester | |||||
1995 - Best Sound | |||||
| Forrest Gump | Re-Recording Mixers Tom Johnson , Dennis Sands , Randy Thom | ||||
| Production Sound Mixer William B. Kaplan | |||||
| The Shawshank Redemption | Re-Recording Mixers Michael Herbick , Robert J. Litt , Elliot Tyson | ||||
| Production Sound Mixer Willie D. Burton | |||||
| Legends Of the Fall | Re-Recording Mixers David E. Campbell , Christopher David , Paul Massey | ||||
| Production Sound Mixer Douglas Ganton | |||||
| Speed | Re-Recording Mixers Bob Beemer , Gregg Landaker , Steve Maslow | |||
| Production Sound Mixer David R. B. MacMillan | |||||
| Clear and Present Danger | Re-Recording Mixers Michael Herbick , Donald O. Mitchell , Frank A. Montaño | ||||
| Production Sound Mixer Arthur Rochester | |||||
1994 - Best Sound | |||||
| The Fugitive | Re-Recording Mixers Michael Herbick , Donald O. Mitchell , Frank A. Montaño | ||||
| Production Sound Mixer Scott D. Smith | |||||
| Schindler's List | Re-Recording Mixers Scott Millan , Andy Nelson , Steve Pederson | ||||
| Production Sound Mixer Ron Judkins | |||||
| Cliffhanger | Re-Recording Mixers Bob Beemer , Michael Minkler | ||||
| Production Sound Mixer Tim Cooney | |||||
| Geronimo: An American Legend | Re-Recording Mixers Bill W. Benton , Chris Carpenter , Doug M. Hemphill | ||||
| Production Sound Mixer Lee Orloff | |||||
| Jurassic Park | Re-Recording Mixers Shawn Murphy , Gary Rydstrom , Gary Summers | |||
| Production Sound Mixer Ron Judkins | |||||
1993 - Best Sound | |||||
| A Few Good Men | Re-Recording Mixers Rick Kline , Kevin O'Connell | ||||
| Production Sound Mixer Bob Eber | |||||
| Unforgiven | Re-Recording Mixers Dick Alexander , Les Fresholtz , Vern Poore | ||||
| Production Sound Mixer Rob Young | |||||
| Aladdin | Re-Recording Mixers David J. Hudson , Mel Metcalfe , Terry Porter | ||||
| Production Sound Mixer Doc Kane | |||||
| The Last Of the Mohicans | Re-Recording Mixers Doug M. Hemphill , Chris Jenkins , Mark Smith | |||
| Production Sound Mixer Simon Kaye | |||||
| Under Siege | Re-Recording Mixers Rick Hart , Donald O. Mitchell , Frank A. Montaño | ||||
| Production Sound Mixer Scott D. Smith | |||||
1992 - Best Sound | |||||
| Beauty and the Beast | Re-Recording Mixers David J. Hudson , Mel Metcalfe , Terry Porter | ||||
| Production Sound Mixer Doc Kane | |||||
| JFK | Re-Recording Mixers Gregg Landaker , Michael Minkler | ||||
| Production Sound Mixer Tod A. Maitland | |||||
| The Silence Of the Lambs | Re-Recording Mixer Tom Fleischman | ||||
| Production Sound Mixer Christopher Newman | |||||
| Terminator 2: Judgment Day | Re-Recording Mixers Tom Johnson , Gary Rydstrom , Gary Summers | |||
| Production Sound Mixer Lee Orloff | |||||
| Backdraft | Re-Recording Mixers Gary Rydstrom , Gary Summers , Randy Thom | ||||
| Production Sound Mixer Glenn Williams | |||||
1991 - Best Sound | |||||
| Dances With Wolves | Re-Recording Mixers Bill W. Benton , Jeffrey Perkins , Gregory H. Watkins | |||
| Production Sound Mixer Russell Williams II | |||||
| Dick Tracy | Re-Recording Mixers David E. Campbell , Doug M. Hemphill , Chris Jenkins | ||||
| Production Sound Mixer Thomas Causey | |||||
| The Hunt For Red October | Re-Recording Mixers Don Bassman , Kevin F. Cleary , Richard Overton | ||||
| Production Sound Mixer Richard Bryce Goodman | |||||
| Days Of Thunder | Re-Recording Mixers Rick Kline , Donald O. Mitchell , Kevin O'Connell | ||||
| Production Sound Mixer Charles Wilborn | |||||
| Total Recall | Re-Recording Mixers Carlos DeLarios , Michael J. Kohut , Aaron Rochin | ||||
| Production Sound Mixer Nelson Stoll | |||||
1990 - Best Sound | |||||
| Born On the Fourth Of July | Re-Recording Mixers Michael Minkler , Wylie Stateman , Gregory H. Watkins | ||||
| Production Sound Mixer Tod A. Maitland | |||||
| Glory | Re-Recording Mixers Donald O. Mitchell , Gregg C. Rudloff , Elliot Tyson | |||
| Production Sound Mixer Russell Williams II | |||||
| The Abyss | Re-Recording Mixers Don Bassman , Kevin F. Cleary , Richard Overton | ||||
| Production Sound Mixer Lee Orloff | |||||
| Indiana Jones and the Last Crusade | Re-Recording Mixers Benjamin P. Burtt Jr. , Shawn Murphy , Gary Summers | ||||
| Production Sound Mixer Tony Dawe | |||||
| Black Rain | Re-Recording Mixers Donald O. Mitchell , Kevin O'Connell , Greg P. Russell | ||||
| Production Sound Mixer Keith A. Wester | |||||
1989 - Best Sound | |||||
| Mississippi Burning | Re-Recording Mixers Rick Kline , Robert J. Litt , Elliot Tyson | ||||
| Production Sound Mixer Danny Michael | |||||
| Gorillas In the Mist: The Adventure Of Dian Fossey | Re-Recording Mixers Andy Nelson , Brian Saunders | ||||
| Production Sound Mixer Peter Handford | |||||
| Who Framed Roger Rabbit | Re-Recording Mixers John Boyd , Don Digirolamo , Robert Knudson | ||||
| Production Sound Mixer Tony Dawe | |||||
| Die Hard | Re-Recording Mixers Don Bassman , Kevin F. Cleary , Richard Overton | ||||
| Production Sound Mixer Alfred J. Overton Jr. | |||||
| Bird | Re-Recording Mixers Dick Alexander , Les Fresholtz , Vern Poore | |||
| Production Sound Mixer Willie D. Burton | |||||
1988 - Best Sound | |||||
| The Last Emperor | Re-Recording Mixer Bill Rowe | |||
| Production Sound Mixer Ivan Sharrock | |||||
| Empire Of the Sun | Re-Recording Mixers John Boyd , Don Digirolamo , Robert Knudson | ||||
| Production Sound Mixer Tony Dawe | |||||
| The Witches Of Eastwick | Re-Recording Mixers Wayne Artman , Tom Beckert , Tom Dahl | ||||
| Production Sound Mixer Arthur Rochester | |||||
| RoboCop | Re-Recording Mixers Carlos DeLarios , Michael J. Kohut , Aaron Rochin | ||||
| Production Sound Mixer Robert Wald | |||||
| Lethal Weapon | Re-Recording Mixers Dick Alexander , Les Fresholtz , Vern Poore | ||||
| Production Sound Mixer William Nelson | |||||
1987 - Best Sound | |||||
| Platoon | Re-Recording Mixers Charles Grenzbach , Richard Rogers , John K. Wilkinson | |||
| Production Sound Mixer Simon Kaye | |||||
| Aliens | Re-Recording Mixers Michael A. Carter , Graham V. Hartstone , Nicholas le Messurier | ||||
| Production Sound Mixer Roy Charman | |||||
| Star Trek IV: The Voyage Home | Re-Recording Mixers David J. Hudson , Mel Metcalfe , Terry Porter | ||||
| Production Sound Mixer Gene S. Cantamessa | |||||
| Top Gun | Re-Recording Mixers Rick Kline , Donald O. Mitchell , Kevin O'Connell | ||||
| Production Sound Mixer William B. Kaplan | |||||
| Heartbreak Ridge | Re-Recording Mixers Dick Alexander , Les Fresholtz , Vern Poore | ||||
| Production Sound Mixer William Nelson | |||||
1986 - Best Sound | |||||
| Out Of Africa | Re-Recording Mixers Gary Alexander , Chris Jenkins , Larry Stensvold | |||
| Production Sound Mixer Peter Handford | |||||
| Back To the Future | Re-Recording Mixers B. Tennyson Sebastian II , Robert M. Thirlwell , Bill Varney | ||||
| Production Sound Mixer William B. Kaplan | |||||
| Silverado | Re-Recording Mixers Rick Kline , Donald O. Mitchell , Kevin O'Connell | ||||
| Production Sound Mixer David Ronne | |||||
| A Chorus Line: The Movie | Re-Recording Mixers Gerry Humphreys , Michael Minkler , Donald O. Mitchell | ||||
| Production Sound Mixer Christopher Newman | |||||
| Ladyhawke | Re-Recording Mixers Dick Alexander , Les Fresholtz , Vern Poore | ||||
| Production Sound Mixer Bud Alper | |||||
1985 - Best Sound | |||||
| Amadeus | Re-Recording Mixers Mark Berger , Todd Boekelheide , Tom Scott | |||
| Production Sound Mixer Christopher Newman | |||||
| A Passage To India | Re-Recording Mixers Michael A. Carter , Graham V. Hartstone , Nicholas le Messurier | ||||
| Production Sound Mixer John Mitchell | |||||
| The River | Re-Recording Mixers Nick Alphin , Richard Portman , Robert M. Thirlwell | ||||
| Production Sound Mixer David Ronne | |||||
| 2010 | Re-Recording Mixers Carlos DeLarios , Michael J. Kohut , Aaron Rochin | ||||
| Production Sound Mixer Gene S. Cantamessa | |||||
| Dune | Re-Recording Mixers Steve Maslow , Kevin O'Connell , Bill Varney | ||||
| Production Sound Mixer Nelson Stoll | |||||
1984 - Best Sound | |||||
| The Right Stuff | Re-Recording Mixers Mark Berger , Tom Scott , Randy Thom | |||
| Production Sound Mixer David R. B. MacMillan | |||||
| Terms Of Endearment | Re-Recording Mixers Rick Kline , Donald O. Mitchell , Kevin O'Connell | ||||
| Production Sound Mixer Jim Alexander | |||||
| WarGames | Re-Recording Mixers Carlos DeLarios , Michael J. Kohut , Aaron Rochin | ||||
| Production Sound Mixer Willie D. Burton | |||||
| Star Wars: Episode VI - Return Of the Jedi | Re-Recording Mixers Benjamin P. Burtt Jr. , Gary Summers , Randy Thom | ||||
| Production Sound Mixer Tony Dawe | |||||
| Never Cry Wolf | Re-Recording Mixers Todd Boekelheide , Alan R. Splet , Randy Thom | ||||
| Production Sound Mixer David Parker | |||||
1983 - Best Sound | |||||
| E. T.: The Extra-Terrestrial | Re-Recording Mixers Don Digirolamo , Robert J. Glass , Robert Knudson | |||
| Production Sound Mixer Gene S. Cantamessa | |||||
| Gandhi | Re-Recording Mixers Jonathan Bates , Gerry Humphreys , Robin O'Donoghue | ||||
| Production Sound Mixer Simon Kaye | |||||
| Tootsie | Re-Recording Mixers Dick Alexander , Les Fresholtz , Arthur Piantadosi | ||||
| Production Sound Mixer Les Lazarowitz | |||||
| Sound Editor Mike Le-Mare | |||||
| Das Boot | Sound Mixers Milan Bor , Trevor Pyke | ||||
| Tron | Re-Recording Mixers Bob Minkler , Lee Minkler , Michael Minkler | ||||
| Production Sound Mixer Jim La Rue | |||||
1982 - Best Sound | |||||
| On Golden Pond | Re-Recording Mixer Richard Portman | ||||
| Production Sound Mixer David Ronne | |||||
| Raiders Of the Lost Ark | Re-Recording Mixers Gregg Landaker , Steve Maslow , Bill Varney | |||
| Production Sound Mixer Roy Charman | |||||
| Reds | Re-Recording Mixers Tom Fleischman , Dick Vorisek | ||||
| Production Sound Mixer Simon Kaye | |||||
| Pennies From Heaven | Re-Recording Mixers Jay M. Harding , Michael J. Kohut , Richard Tyler | ||||
| Production Sound Mixer Alfred J. Overton Jr. | |||||
| Outland | Re-Recording Mixers Robert W. Glass Jr. , Robert M. Thirlwell , John K. Wilkinson | ||||
| Production Sound Mixer Robin Gregory | |||||
1981 - Best Sound | |||||
| Coal Miner's Daughter | Re-Recording Mixers Roger Heman , Richard Portman | ||||
| Production Sound Mixer Jim Alexander | |||||
| Raging Bull | Re-Recording Mixers David J. Kimball , Donald O. Mitchell , Bill Nicholson | ||||
| Production Sound Mixer Les Lazarowitz | |||||
| Fame | Re-Recording Mixers Jay M. Harding , Michael J. Kohut , Aaron Rochin | ||||
| Production Sound Mixer Christopher Newman | |||||
| Star Wars: Episode V - The Empire Strikes Back | Re-Recording Mixers Gregg Landaker , Steve Maslow , Bill Varney | |||
| Production Sound Mixer Peter Sutton | |||||
| Altered States | Re-Recording Mixers Les Fresholtz , Michael Minkler , Arthur Piantadosi | ||||
| Production Sound Mixer Willie D. Burton | |||||
1980 - Best Sound | |||||
| Apocalypse Now | Re-Recording Mixers Richard Beggs , Mark Berger , Walter Murch | |||
| Production Sound Mixer Nat Boxer | |||||
| The Rose | Re-Recording Mixers Theodore Soderberg , Paul Wells , Douglas O. Williams | ||||
| Production Sound Mixer Jim Webb | |||||
| 1941 | Re-Recording Mixers Robert J. Glass , Robert Knudson , Don MacDougall | ||||
| Production Sound Mixer Gene S. Cantamessa | |||||
| The Electric Horseman | Re-Recording Mixers Les Fresholtz , Michael Minkler , Arthur Piantadosi | ||||
| Production Sound Mixer Alfred J. Overton Jr. | |||||
| Meteor | Re-Recording Mixers Michael J. Kohut , William McCaughey , Aaron Rochin | ||||
| Production Sound Mixer Jack Solomon | |||||
1979 - Best Sound | |||||
| The Deer Hunter | Re-Recording Mixers William McCaughey , Richard Portman , Aaron Rochin | |||
| Production Sound Mixer Darin Knight | |||||
| The Buddy Holly Story | Re-Recording Mixers Joel Fein , Tex Rudloff , Robert M. Thirlwell | ||||
| Production Sound Mixer Willie D. Burton | |||||
| Days Of Heaven | Re-Recording Mixers Robert W. Glass Jr. , John T. Reitz , John K. Wilkinson | ||||
| Production Sound Mixer Barry Thomas | |||||
| Superman | Re-Recording Mixers Graham V. Hartstone , Nicholas le Messurier , Gordon K. McCallum | ||||
| Production Sound Mixer Roy Charman | |||||
| Hooper | Re-Recording Mixers Robert J. Glass , Robert Knudson , Don MacDougall | ||||
| Production Sound Mixer Jack Solomon | |||||
1978 - Best Sound | |||||
| Star Wars: Episode IV - A New Hope | Re-Recording Mixers Don MacDougall , Bob Minkler , Ray West | |||
| Production Sound Mixer Derek Ball | |||||
| The Turning Point | Re-Recording Mixers Theodore Soderberg , Paul Wells , Douglas O. Williams | ||||
| Production Sound Mixer Jerry Jost | |||||
| Close Encounters Of the Third Kind | Re-Recording Mixers Robert J. Glass , Robert Knudson , Don MacDougall | ||||
| Production Sound Mixer Gene S. Cantamessa | |||||
| The Deep | Re-Recording Mixers Dick Alexander , Tom Beckert , Walter Goss | ||||
| Production Sound Mixer Robin Gregory | |||||
| Sorcerer | Re-Recording Mixers Robert J. Glass , Robert Knudson , Richard Tyler | ||||
| Production Sound Mixer Jean-Louis Ducarme | |||||
1977 - Best Sound | |||||
| All the President's Men | Re-Recording Mixers Dick Alexander , Les Fresholtz , Arthur Piantadosi | |||
| Production Sound Mixer Jim Webb | |||||
| Rocky | Re-Recording Mixers Lyle Burbridge , William McCaughey , Harry Warren Tetrick | ||||
| Production Sound Mixer Bud Alper | |||||
| King Kong | Re-Recording Mixers William McCaughey , Aaron Rochin , Harry Warren Tetrick | ||||
| Production Sound Mixer Jack Solomon | |||||
| A Star Is Born | Re-Recording Mixers Robert J. Glass , Robert Knudson , Dan Wallin | ||||
| Production Sound Mixer Tom Overton | |||||
| Silver Streak | Re-Recording Mixers Donald O. Mitchell , Richard Tyler , Douglas O. Williams | ||||
| Production Sound Mixer Hal Etherington | |||||
1976 - Best Sound | |||||
| Jaws | Re-Recording Mixers Roger Heman , Robert L. Hoyt , Earl Madery | |||
| Production Sound Mixer John Carter | |||||
| Funny Lady | Re-Recording Mixers Don MacDougall , Richard Portman , Robert M. Thirlwell | ||||
| Production Sound Mixer Jack Solomon | |||||
| The Hindenburg | Re-Recording Mixers John A. Bolger Jr. , John Mack , Leonard Peterson | ||||
| Production Sound Mixer Don K. Sharpless | |||||
| Bite the Bullet | Re-Recording Mixers Les Fresholtz , Arthur Piantadosi , Richard Tyler | ||||
| Production Sound Mixer Alfred J. Overton Jr. | |||||
| The Wind and The Lion | Re-Recording Mixers William McCaughey , Aaron Rochin , Harry Warren Tetrick | ||||
| Production Sound Mixer Roy Charman | |||||
1975 - Best Sound | |||||
| Chinatown | Mixed by Charles Grenzbach , Lawrence O. Jost | ||||
| The Conversation | Mixed by Walter Murch , Arthur Rochester | ||||
| The Towering Inferno | Mixed by Herman Lewis , Theodore Soderberg | ||||
| Young Frankenstein | Mixed by Gene S. Cantamessa , Richard Portman | ||||
| Earthquake | Mixed by Melvin Metcalfe, Sr. , Ronald K. Pierce | |||
1974 - Best Sound | |||||
| The Exorcist | Mixed by Robert Knudson , Christopher Newman | |||
| The Sting | Mixed by Robert Bertrand , Ronald K. Pierce | ||||
| The Paper Chase | Mixed by Lawrence O. Jost , Donald O. Mitchell | ||||
| Paper Moon | Mixed by Les Fresholtz , Richard Portman | ||||
| The Day Of the Dolphin | Mixed by Lawrence O. Jost , Richard Portman | ||||
1973 - Best Sound | |||||
| Cabaret | Mixed by David Hildyard , Robert Knudson | |||
| The Godfather | Mixed by Charles Grenzbach , Christopher Newman , Richard Portman | ||||
| Butterflies Are Free | Mixed by Charles Knight , Arthur Piantadosi | ||||
| The Poseidon Adventure | Mixed by Herman Lewis , Theodore Soderberg | ||||
| The Candidate | Mixed by Gene S. Cantamessa , Richard Portman | ||||
1972 - Best Sound | |||||
| Fiddler On the Roof | Mixed by David Hildyard , Gordon K. McCallum | |||
| The French Connection | Mixed by Christopher Newman , Theodore Soderberg | ||||
| Kotch | Mixed by Richard Portman , Jack Solomon | ||||
| Mary, Queen Of Scots | Mixed by John Aldred , Bob Jones | ||||
| Diamonds Are Forever | Mixed by Gordon K. McCallum , John Mitchell , Alfred J. Overton Jr. | ||||
1971 - Best Sound | |||||
| Airport | Mixed by David Moriarty , Ronald K. Pierce | ||||
| Patton | Mixed by Don Bassman , Douglas O. Williams | |||
| Ryan's Daughter | Mixed by John Bramall , Gordon K. McCallum | ||||
| Tora! Tora! Tora! | Mixed by Herman Lewis , Murray Spivack | ||||
| Woodstock | Mixed by Larry Johnson , Dan Wallin | ||||
1970 - Best Sound | |||||
| Anne Of the Thousand Days | Mixed by John Aldred | ||||
| Butch Cassidy and the Sundance Kid | Mixed by David Dockendorf , William Edmundson | ||||
| Hello, Dolly! | Mixed by Jack Solomon , Murray Spivack | |||
| Marooned | Mixed by Les Fresholtz , Arthur Piantadosi | ||||
| Gaily, Gaily | Mixed by Robert Martin , Clem Portman | ||||
1969 - Best Sound | |||||
| Funny Girl | Mixed by Columbia Studio Sound Department | ||||
| Oliver! | Mixed by Shepperton Studio Sound Department | |||
| Star! | Mixed by 20th Century-Fox Studio Sound Department | ||||
| Finian's Rainbow | Mixed by Warner Bros.-Seven Arts Studio Sound Department | ||||
| Bullitt | Mixed by Warner Bros.-Seven Arts Studio Sound Department | ||||
1968 - Best Sound | |||||
| Doctor Dolittle | Mixed by 20th Century-Fox Studio Sound Department | ||||
| In the Heat Of the Night | Mixed by Samuel Goldwyn Studio Sound Department | |||
| The Dirty Dozen | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | ||||
| Thoroughly Modern Millie | Mixed by Universal City Studio Sound Department | ||||
| Camelot | Mixed by Warner Bros.-Seven Arts Studio Sound Department | ||||
1967 - Best Sound | |||||
| The Sand Pebbles | Mixed by 20th Century-Fox Studio Sound Department | ||||
| Supervised by James P. Corcoran | |||||
| Who's Afraid Of Virginia Woolf? | Mixed by Warner Bros. Studio Sound Department | ||||
| Supervised by George R. Groves | |||||
| Hawaii | Mixed by Samuel Goldwyn Studio Sound Department | ||||
| Supervised by Gordon E. Sawyer | |||||
| Gambit | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
| Grand Prix | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | |||
| Supervised by Franklin E. Milton | |||||
1966 - Best Sound | |||||
| Doctor Zhivago | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | ||||
| Supervised by Franklin E. Milton , A. W. Watkins | |||||
| The Sound Of Music | Mixed by Todd-AO Studio Sound Department , 20th Century-Fox Studio Sound Department | |||
| Supervised by James P. Corcoran , Fred Hynes | |||||
| The Agony and The Ecstasy | Mixed by 20th Century-Fox Studio Sound Department | ||||
| Supervised by James P. Corcoran | |||||
| The Great Race | Mixed by Warner Bros. Studio Sound Department | ||||
| Supervised by George R. Groves | |||||
| Shenandoah | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
1965 - Best Sound | |||||
| Becket | Mixed by Shepperton Studio Sound Department | ||||
| Supervised by John Cox | |||||
| Mary Poppins | Mixed by Walt Disney Studio Sound Department | ||||
| Supervised by Robert O. Cook | |||||
| My Fair Lady | Mixed by Warner Bros. Studio Sound Department | |||
| Supervised by George R. Groves | |||||
| The Unsinkable Molly Brown | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | ||||
| Supervised by Franklin E. Milton | |||||
| Father Goose | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
1964 - Best Sound | |||||
| Cleopatra | Mixed by Todd-AO Studio Sound Department , 20th Century-Fox Studio Sound Department | ||||
| Supervised by James P. Corcoran , Fred Hynes | |||||
| How the West Was Won | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | |||
| Supervised by Franklin E. Milton | |||||
| Captain Newman, M.D. | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
| It's a Mad, Mad, Mad, Mad World | Mixed by Samuel Goldwyn Studio Sound Department | ||||
| Supervised by Gordon E. Sawyer | |||||
| Bye Bye Birdie | Mixed by Columbia Studio Sound Department | ||||
| Supervised by Charles Rice | |||||
1963 - Best Sound | |||||
| Lawrence Of Arabia | Mixed by Shepperton Studio Sound Department | |||
| Supervised by John Cox | |||||
| Meredith Willson's The Music Man | Mixed by Warner Bros. Studio Sound Department | ||||
| Supervised by George R. Groves | |||||
| What Ever Happened To Baby Jane? | Mixed by Glen Glenn Studio Sound Department | ||||
| Supervised by Joseph Kelly | |||||
| That Touch Of Mink | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
| Bon Voyage! | Mixed by Walt Disney Studio Sound Department | ||||
| Supervised by Robert O. Cook | |||||
1962 - Best Sound | |||||
| The Guns Of Navarone | Mixed by Shepperton Studio Sound Department | ||||
| Supervised by John Cox | |||||
| West Side Story | Mixed by Samuel Goldwyn Studio Sound Department , Todd-AO Studio Sound Department | |||
| Supervised by Fred Hynes , Gordon E. Sawyer | |||||
| The Children's Hour | Mixed by Samuel Goldwyn Studio Sound Department | ||||
| Supervised by Gordon E. Sawyer | |||||
| Flower Drum Song | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Waldon O. Watson | |||||
| The Parent Trap | Mixed by Walt Disney Studio Sound Department | ||||
| Supervised by Robert O. Cook | |||||
1961 - Best Sound | |||||
| The Alamo | Mixed by Samuel Goldwyn Studio Sound Department , Todd-AO Studio Sound Department | |||
| Supervised by Fred Hynes , Gordon E. Sawyer | |||||
| The Apartment | Mixed by Samuel Goldwyn Studio Sound Department | ||||
| Supervised by Gordon E. Sawyer | |||||
| Sunrise At Campobello | Mixed by Warner Bros. Studio Sound Department | ||||
| Supervised by George R. Groves | |||||
| Pepe | Mixed by Columbia Studio Sound Department | ||||
| Supervised by Charles Rice | |||||
| Cimarron | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | ||||
| Supervised by Franklin E. Milton | |||||
1960 - Best Sound | |||||
| Ben-Hur | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | |||
| Supervised by Franklin E. Milton | |||||
| The Nun's Story | Mixed by Warner Bros. Studio Sound Department | ||||
| Supervised by George R. Groves | |||||
| Porgy and Bess | Mixed by Samuel Goldwyn Studio Sound Department , Todd-AO Studio Sound Department | ||||
| Supervised by Fred Hynes , Gordon E. Sawyer | |||||
| Journey To the Center Of the Earth | Mixed by 20th Century-Fox Studio Sound Department | ||||
| Supervised by Carl Faulkner | |||||
| Libel! | Mixed by Metro-Goldwyn-Mayer Studio Sound Department | ||||
| Supervised by A. W. Watkins | |||||
1959 - Best Sound | |||||
| I Want To Live! | Mixed by Samuel Goldwyn Studio Sound Department | ||||
| Supervised by Gordon E. Sawyer | |||||
| The Young Lions | Mixed by 20th Century-Fox Studio Sound Department | ||||
| Supervised by Carl Faulkner | |||||
| South Pacific | Mixed by Todd-AO Studio Sound Department | |||
| Supervised by Fred Hynes | |||||
| Vertigo | Mixed by Paramount Studio Sound Department | ||||
| Supervised by George Dutton | |||||
| A Time To Love and A Time To Die | Mixed by Universal City Studio Sound Department | ||||
| Supervised by Leslie I. Carey | |||||